8/3/2023 0 Comments Hitler stache hdWe could nearly black the black and nearly smell it too. Apparently, even If we were to arrive at the end of language we’d find the relatively small area below The black. This idea, coupled with various instances of facial hair (mainly, the mustache) and Squareness, configured or, if you like, watered on an upper black. Black is the black in the back of our blackened Black. Black is the black that replaces all black. A square pail of water is the square mustache you put the pit Of your stomach. A square mustache is the place you Put the pit of your stomach. Suppose this is step two and the covers Of your bed become square and your dreams get square and your square becomes square. Let’s think about all of this for a moment. Of course, a lined Square, lined with the very hair of mustache. In the second place, we must consider the square that is square. That one lynch pen that directs the complete Mustache or arches an eyebrow over a dictator’s mustache. Whose name I would whisper were it not for the mustache Which holds my belt in place. For the purposes of this moment, I’m speaking Of mustache’s mustache. When one mustache ends, a new mustache begins and thus All mustache is the same mustache. For instance, as I’m writing here Now I move along, forward so to speak in a triangular motion until mustache. It’s as simple as that. This mustache Becomes the game to the extent that discussing some other mustache thought Or mustache idea is obviously now mustache. When you begin discussing the finer details in place of Every important mustache you substitute the word, mustache. But, on my personal rectangular blog, I prefer this poem of sorts that refers more to the rectangular aspects of the ‘stache: Here you can find the full Hitler Sestina, by Peter Davis, initially published in McSweeney’s. :the cover of "hitler's mustache" by peter davis:
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